Print The Marshall Scholarship is awarded for two years of study in any discipline, usually at the graduate level, and is tenable at any British university. Of these applicants, more than half typically have a perfect GPA.
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Whenever my father and I visited the city, he casually pressed the automatic lock button as we crossed Eight Mile Road, the dividing line between the suburbs and the city. He grew up in Detroit and remembered a vibrant, diverse city—drastically different from the dilapidated, primarily African American city I saw.
My mother worked as an advocate for urban teens in the city for years, and my father drew up building proposals in an attempt to rebuild the city.
The daughter of a community-minded architect and teacher, I was raised to think of myself as a catalyst for social improvement through creativity. While studying at [my college], I focused on performance art, a discipline in which the human body becomes the artistic medium. Some of my best classes involved collaborations with a female juvenile facility, local farmers, and the Humane Society.
In each of these classes, we used art to reach out to different members of our community. Upon graduating from college inI was awarded a fellowship with Artrain USA, an art museum in a locomotive that travels the country, bringing world-class exhibitions to impoverished, art-starved communities.
I created puppet shows and paintings about the towns we visited and staged re-enactments of significant local events. After my fellowship with the Artrain USA, I was awarded an artist residency with a community arts organization with two galleries, a stage, classrooms, and seven resident artist studios.
Its modern day culture also fascinated me—its rich cultural diversity, its proximity to the Mason Dixon Line, and the ways in which blue collar [citizens] who had lived on the same street for 40 years bumped up against recent Latin American immigrants. It struggles with high crime, drugs, and gang-related violence.
When I moved into the Creative Alliance, there had been a spike in drug-related theft on our block. Every day I heard a different racial or ethnic slur uttered on the street. Then, I saw a photograph that changed everything. The residents were unbelievably unified, as though the women had decided to scrub their steps at precisely the same hour.
I had never noticed anyone in my neighborhood scrubbing steps and began to suspect that the absence of this performance was a symptom of something greater than a lapse in marble maintenance.
Beginning in the late 19th century, this ritual was performed each Saturday by the female heads of household all first-generation Americans and recent immigrants from Italy, Poland, and Germany. Though great in theory, this was not an easy task. Almost immediately I realized that I was afraid of my audience, afraid they might not remember or care about the part of their history I was trying to resurrect.
Would they slam the door in my face? Most often, we end up in a lively discussion about the history of their block, the ritual of step scrubbing, and their theories on why the tradition ended.
This is just one example of my belief that it is critical that people engage with the history of the place they live to understand its present social, cultural, and economic dynamics. It performs the double purpose of drawing historians and politicians to art, and drawing art appreciators to politics and history.
Many other performance artists have taken their inspiration from global and cultural politics. Guillermo Gomez-Pena, for example, is a Mexican-born performance artist, creating work about the politics of the U. NaoKo TakaHashi is another performance artist whose work highlights the ambiguities of national and individual identities, focusing on re-location in London.
I would like to become just such an ambassador, learning about a new place while connecting with its people through history. University of Michigan Provost Disclaimer: These essays are provided to assist writing, not to be copied Want to view scholarship essays on different topics?
View our latest scholarships. Get Access to Challenges through MindSumo.The Marshall Society is the Economics Society of the University of Cambridge. Established in in memory of Alfred Marshall, the Society has since upheld the tradition of its distinguished founders in furthering the discussion of economics.
The Marshall Scholarship Selection Criteria. unaware that Great Britain is no longer an Empire and did not seem to acknowledge that it is a modern multicultural society. Therefore, applicants should be cautious about how they characterize modern Britain and avoid historical stereotypes.
The Marshall Scholarship Application Essays. The Marshall Society, the Economics society of the University of Cambridge, is pleased to announce the opening of its annual essay competition. This is an opportunity for all students currently working towards A-levels, the IB or equivalent qualifications to demonstrate their ability to write a convincing and well-structured essay, making use.
How Money Has Changed Society Essay Words | 3 Pages. How Money Has Changed Society *Works Cited Not Included Marshall McLuhan's lasting contribution is his vision of the ways technology affects and changes history and culture.
How Money Has Changed Society Essay Words | 3 Pages. How Money Has Changed Society *Works Cited Not Included Marshall McLuhan's lasting contribution is his vision of the ways technology affects and changes history and culture. Dec 20, · Guys, there's an economic essay competition organised by the Marshall Society of Economics.
The competition is open to A-level students would like to broaden their exposure to the subject as well as use it as st to discuss on their personal statements as well as admission interviews.